I am an architect and sculptor. Since 1997 I have been teaching sculpture and architecture at the Brera Academy of Fine Arts in Milan, in the Departments of Visual Arts and New Technologies, where I have the privilege of guiding generations of artists and designers on their journey. I currently serve as a member of the Academic Council of the Brera Academy. In 2023 I was part of the jury for the Second International Ceramic Art Biennale of Jingdezhen, an experience that further strengthened my commitment to the dialogue between tradition and innovation. I hold a Second-Level Academic Diploma in Sculpture from the Brera Academy of Fine Arts (1987) and a Master’s Degree in Architecture from the Politecnico di Milano (1995). I am a specialist in 3D modeling, virtual reality, and 3D printing, and since 2008 I have been a Blender Foundation Certified Instructor (Amsterdam). My research has long focused on new forms of integration between real and virtual art. In 2008, together with Stefania Albertini, I founded the Brera Academy Virtual Lab — the virtual sculpture and architecture laboratory at the Brera Academy. It is a pioneering space where physical matter and digital code continue to engage in constant dialogue and generate new expressive possibilities. Recently, I have explored these themes in depth in my new book “Art Between Matter and Code: Bridging Classical Art and Digital Frontiers” (2026), academically edited by Zhou Zhiwen. In this publication I examine the intersection of procedural generation, artificial intelligence, and 3D printing, outlining new frontiers for contemporary art.
詹皮耶罗-莫伊奥利
我是建筑师和雕塑家。 自1997年起，我在米兰布雷拉美术学院（Accademia di Belle Arti di Brera）教授雕塑与建筑课程，任职于视觉艺术与新技术系，有幸陪伴一代代艺术家和设计师走过他们的创作之路。 目前，我担任布雷拉美术学院学术委员会成员。2023年，我参与了第二届景德镇国际陶瓷艺术双年展的评审委员会，这段经历进一步坚定了我致力于传统与创新之间对话的承诺。 我的教育背景包括：1987年获得米兰布雷拉美术学院雕塑专业第二级学术文凭，1995年获得米兰理工大学建筑学硕士学位。 我是3D建模、虚拟现实和3D打印领域的专家，自2008年起担任阿姆斯特丹Blender Foundation认证讲师。 我的研究长期专注于真实艺术与虚拟艺术之间的新型融合。 2008年，我与Stefania Albertini共同创立了布雷拉学院虚拟实验室（Brera Academy Virtual Lab）——布雷拉美术学院的虚拟雕塑与建筑实验室。 这是一个开创性的空间，物理物质与数字代码在此持续对话，并不断催生新的表达可能性。近年来，我在新书《物质与代码之间的艺术：桥接古典艺术与数字前沿》（Art Between Matter and Code: Bridging Classical Art and Digital Frontiers，2026）中深入探讨了这些主题。该书与周志文（Zhou Zhiwen）合作完成，在书中我考察了程序生成、人工智能与3D打印的交汇，为当代艺术勾勒出新的前沿。
